solved PAPER II.undefinedAgain, a short paper.Four or five pages, and done

PAPER II.undefinedAgain, a short paper.Four or five pages, and done for intellectual enjoyment, but with conceptual and grammatical precision, too.undefinedWritten with the same flair you’ve brought to your daily writing and questions.undefinedTo be done on your own, no collaboration.No plagiarism.No shmooping, sparknoting, etc.undefinedFeel free to use any ideas that have arisen in discussions in class.undefinedGive your paper a title, NUMBER YOUR PAGES, double-space.Address something very specific, comparable, and keenly intellectually interesting to you in two of our works of the second half of the semester.undefinedPossibilities abound.Look back over your questions and commentaries for suggestions.Below are a few possibilities, but note that they’re very general: they’d need to be made quite specific to succeed in so short an essay.For example “Symbols of Self in Trifles and SND” might concentrate on the birdcage and the trunk or on the canary and the Chinese lantern, probing them for their subtleties, their nuances, their meaning.undefinedWhat follows are possibilities, suggestions.You’ll most likely already have something in mind from our work together in class.undefinedReversal of the Masculine and Feminine in MB and GWS.undefinedToxic Masculinity in DKH and SND.undefinedSelf as Actor in SND and MB.undefinedSelf-deception and Self-awakening in DKH and Groundhog.undefinedFeminist Vision in Trifles and TG.undefinedMetadrama in MB and SND.undefinedTechnology and the Erasure of Self in Number and Groundhog.undefinedSymbols of Self in Trifles and SND.undefinedConsequences of the Fall of the Absolute (God) in GWS and MB.undefinedFailures of Communication in Trifles and SND.undefinedBreaking the Fourth Wall in GWS and MB.undefinedProblems of Modern Identity in Number and MB.