solved I’m working on a art writing question and need a

I’m working on a art writing question and need a sample draft to help me understand better.

There are two-part to this questionPart 11.We’ve seen many representations of the ‘floating world’ from the perspective of male artists. Below is a painting by Katsushika Oi, the daughter of Hokusai (who painted the famous Great Wave Off Kanagawa). Analyze the painting and consider how it compares to works we have seen previously from the textbook and lecture that represent similar subject matter. Consider the choices she made in composing this work and what these choices convey. Do you think it is relevant that Oi was a woman? Does she present a different perspective on the floating world from her male contemporaries?(at least 250 words; 10 points)Katsushika Oi, Yoshiwara at Night, Edo period, c. 1850s, hanging scroll, ink and color on paper (103⁄8 × 153⁄4″)2.Read through your classmates’ responses and engage with at least one of them. Is there anything you feel that they missed? Are there ways you could have improved your own response based on reading others’?(5 points)Classmate’s postIn the painting Yoshiwara At Night by Katasushika Oi, women are seen inside wooden bars surrounded by shadowy figures on the outside of these bars. The perspective of this painting is from the outside of these bars facing in so that the viewer can see the women and not the faces, only thee figures, of the people, most likely men, staring into the wooden bars. Like other Ukiyo-e paintings, the women are seen with white faces and extravagant clothing, which was the beauty standard of this time. Compared to other Japanese paintings, this one is seen as very dark and shadowy. Even in other paintings that take place at night, they are lit up to be as bright as the day so the viewer to see every detail of the painting. However in this painting, Oi plays with shadows giving the painting a darker mood than other Japanese paintings allowing the viewers to make their own perception of the people staring at them from the outside. Oi follows the theme of using courtesans like other Ukiyo-e paintings. However in her painting, she shows the perspective of the women, not the men. The shadows and darkness helps to focus the viewer on the women and how this lifestyle has impacted them. In other Ukiyo-e paintings, the women are shown as beautiful, sensuous, and posing for the painter. The perspective that Oi presents is very different from male paintings of courtesans because she shows how they struggle and feel when men gawk at them while the men painters only capture their beauty and not the true emotion of their subject.Part 2This installation by Yanagi Yukinori was introduced in the lecture and covered in your textbook. Yanagi Yukinori, Hinomaru Illumination (Amaterasu and Haniwa), 1993, neon, neon transformer, programming circuit, painted steel, and haniwa figures (each haniwa figure approximately 39″ high)Like the Korean artist Pak Nam June, Yanagi Yukinori’s work is based on a juxtaposition between traditional and modern elements. However, Yanagi’s installation engages more specifically with Japan’s past and present. What do you think is the purpose of this juxtaposition? Consider the historical context of 20th century Japan with its many upheavals and how this may have caused the artist to reflect upon Japan’s relationship with its past.